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In 2011, when I first moved my overlay artwork from the academic world of the University of Toronto and my architecture thesis, to the art competition world, I did not think it would send me to Brooklyn so quickly.
As I was finishing my architecture thesis at UofT, I stumbled across an art competition titled Moleskine Grand Central Terminal sketch competition by the Architectural League NY. That was the first time I felt the internal spark that the overlay technique I had developed in school could be used beyond academia. My architecture thesis focused on the rampant development of glass condo towers in Toronto, which was my first overlay.
In 2013, Grand Central Terminal celebrated its centennial with a year-long series of events, exhibitions, performances, artistic installations and projects to honor the building’s legacy and imagine its future. As part of that celebration, the Architectural League NY and the New York Transit Museum partnered to host a drawing competition for architects and designers to capture or re-imagine the New York City landmark.
The winners were to placed in a special Moleskine sketchbook commemorating the centennial of Grand Central Terminal (often referred to as Grand Central Station).
Months later, I received the great news that not only was my image selected for publication in the sketchbook, but that all the winners were to be shown in the New York Transit Museum for 6 months from June to December 2013.
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